Distracted From When We Were Psychos, William Calley Apologizes

In a rare, if ever, inter­view, for­mer Army lieu­te­nant William Calley, who was con­vic­ted on 22 counts of mur­der for the My Lai Mas­sacre in Viet­nam, sort of apo­lo­gi­zed for the first time last week, at a Colum­bus, Geor­gia, Kiwa­nis Club where he was speaking.

“In March 1968, U.S. sol­diers gun­ned down hun­dreds of civi­lians in the Viet­na­mese ham­let of My Lai. The Army at first denied, then down­pla­yed the event, saying most of the dead were Viet­cong. But in Novem­ber 1969, jour­na­list Sey­mour Hersh revea­led what really hap­pe­ned and Calley was court-martialed and con­vic­ted of mur­der.
source: William Calley apo­lo­gi­zes for My Lai mas­sacre” — Colum­bus Led­ger –Enquirer.

My_Lai_massacre
Photo taken by Uni­ted Sta­tes Army pho­to­grapher Ronald L. Hae­berle on March 16, 1968 in the after­math of the My Lai mas­sacre. Arguably Public Domain, see source

I was going to write about this, until the hurri­cane ins­pi­red surf screa­med my name this past Fri­day. I’m home now, and though late I was going to make an attempt, but I it seems I always end up on that other road, you know, the one with no one on it.

A typi­cal occu­rrence, when searching for infor­ma­tion on trou­bling things, my searches often result in something more per­tur­bing, and my focal point chan­ges. While loo­king for pho­tos of My Lai, the search brought me to the follo­wing pho­to­graph, via Radar Online.. I know it’s a rag, but it was one of the first sites appea­ring in my Goo­gle search for “My Lai”, and for that rea­son my atten­tion diver­ted from the Calley apo­lo­gi­zes BS, so bear with me .

napalm_drop
Puli­tzer Prize win­ning, Huỳnh Công Út photo of Kim Phuc (Napalm Girl)

A year or so ago Radar clip­ped something from an Andrew Sulli­van post. It was a post noting that the pho­to­grapher of the Puli­tzer Prize awar­ded pho­to­graph (often called Napalm Girl, of a then 8 or 9 year old Kim Phuc), Nick Ut (Huỳnh Công Út), was now pho­to­graphing Paris Hil­ton. Radar used the ico­nic photo, as had Andrew Sulli­van. In their igno­rance, and likely their rea­ders igno­rance, Radar tit­led the post My Lai Pho­tog Still in the Trenches .

The My Lai Mas­sacre occu­rred, of course, in March of 1968, Nick Ut’s photo was taken in June of 1972, after a South Viet­na­mese Napalm attack. With our igno­rance gro­wing by leaps and bounds, a dwind­ling know­ledge of his­tory, or it’s sig­ni­fi­cance, a gro­wing popu­la­tion of rea­ders of Radar type sites, and that par­ti­cu­lar post coming up in Goo­gle on first search for “My Lai”, I thought it worth it to point this out.

As to why a pho­to­graph on an online cul­ture, gos­sip rag, bothers me? Who can say. The fact it was one the first page in a search for My Lai makes it sig­ni­fi­cant in my book. The pho­to­graphs above may appear to be about they same thing, but it’s only igno­rance that makes it so. They appear interchan­gea­ble because they depict the horror of war, unne­ces­sary war, faulty phi­lo­sophy and crac­ked policy. Howe­ver, the My Lai pho­to­graph is about something more sinis­ter, a dee­per truth, the kind we like to ignore, dis­cuss, divert, make excu­ses for, and disguise.

We need to know the dif­fe­rence, that there is a dif­fe­rence, bet­ween the sce­na­rio surroun­ding the Napalm Girl pho­to­graph, and that of the The My Lai Mas­sacre, even if there is no dif­fe­rence appa­rent to some peo­ple, the peo­ple invol­ved were dif­fe­rent. They each deserve their own accoun­ting — be it in his­tory books or online gos­sip rags. Though moti­ves were simi­lar, the pic­ture by Ut should be recog­ni­za­ble to every Ame­ri­can past the age of high school as having taken place years after My Lai, as the South Viet­na­mese (with our bles­sings), Napal­med an area thought to be infes­ted with Viet Cong. My Lai, we should know by heart. Yes, it might appear that only the seve­rity, vic­tims, and tac­tics chan­ged, but it is impor­tant that we know them separately.

We shouldn’t mis­take a pic­ture of a Viet­na­mese girl in dis­tress from Napalm burns in 1972 as part of a mas­sacre almost 5 years ear­lier any­more than we’d con­fuse JFK’s assas­si­na­tion with that of his brother’s. These pho­tos, or the pla­ces and times they occu­rred, should not be con­fu­sed. They may appro­pria­tely be refe­ren­ced on the same collage, but we must know the dif­fe­rence. It’s an injus­tice not to know.

If you don’t know about either of these situa­tions, now might be the time to find out.

That’s it. A post from a diver­sion that occu­rred when, after rea­ding about Calley’s apo­logy, I deci­ded to write about it, and a search for pho­tos of My Lai brought me in a dif­fe­rent direction.

Because of this diver­sion, I’m lis­ting some links on My Lai Mas­sacre pos­ted both since or long before the recent “apo­logy”.

Una­brid­ged ori­gi­nal dis­patches by Sey­mour Hersh on the 1968 My Lai mas­sacre in Viet­nam
.
My Lai Mas­sacre Lea­der Speaks
Viet­nam Online/The Ame­ri­can Experience/My Lai Mas­sacre
My Lai Offi­cer Apo­lo­gi­zes For Mas­sacre — NPR
Ex-Officer Apo­lo­gi­zes for Killings at My Lai
Calley apo­lo­gi­zes for role in My Lai mas­sacre
THE MY LAI MASSACRE, Time archive 1969

The mas­sacre is also known as the “Sơn Mỹ Mas­sacre” or some­ti­mes as the “Song My Mas­sacre”. My Lai was one of four ham­lets asso­cia­ted with the village of “Son My”. The U.S. mili­tary code­word for the ham­let was Pink­vi­lle. Pink­vi­lle is the name of a forth­co­ming Oli­ver Stone film about the My Lai Massacre.

Title from In These Times

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19 Comments

  • I agree with you abso­lu­tely. It takes no effort to be igno­rant and cons­tant effort to remem­ber the details. Lazi­ness doesn’t count as a good inten­tion. Thanks for the expla­na­tion.
    Doug´s last blog ..The Refor­ma­tion of Wolfshau­sen

  • “They each deserve their own accoun­ting — be it in his­tory books or online gos­sip rags.”

    Some­body gets it. It figu­res it’d be you coo­per. Thanks for taking the time to write this. I’ve spend a lot of time in Asia, some of it in Viet­nam, the indi­vi­duals are not interchageable.

    I hope you had a great wee­kend in the hurri­cane surf.

  • I agree with all of you and love joeg’s com­ment about “some­body gets it. It figu­res it’d be you cooper.”

    Though the My Lai inci­dent should have ended the frig­ging war, peo­ple were still enth­ra­lled by Nixon and deeply dis­trus­ted and resen­ted those against the war. It did make some in the media much more pro active and peo­ple who were wor­king against the war work harder

    There were many peo­ple who never belie­ved it was Viet Cong that were killed and many peo­ple who belie­ved that even if it were Viet Cong we were wrong. I can and will never make excu­ses for figh­ting against unjust wars

    The photo of the girl was a catalyst that made many more of the “mas­ses” against the war

    Actually that his­tory itself should be known, res­pec­ted and taught in schools
    pia´s last blog ..Clim­bing metapho­ri­cal moun­tains

  • An under­tone of the post is that Ame­rica does make mis­ta­kes. This opi­nion piece by your ex-boyfriend trans­cends the dif­fe­ren­ces bet­ween the left and right in Ame­rica. Maybe that’s why it’s taken so long for Calley to sort of apo­lo­gize for what he did. He’s a coward no doubt.
    Chris´s last blog ..Time’s Grea­test Elec­tric Gui­ta­rists

    • Calley has been trea­ted like a hero for far too many years. He’s much worse than a coward; he’s a mass mur­de­rer of the worst type. The Loc­ker­bie bom­ber? He’s just a William Calley of a dif­fe­rent nationality.

    • ex older sto­ned famous fake — boyfriend.

      Anyhoo I stop­ped rea­ding him long ago — that article is not the rea­son why, and does get him points — he needs quite a few more to get back on my fake, older, famous, boy­friend list. ;)

  • That an ico­nic photo is mis­ta­ken for having been taken in My Lai, when as you said each inci­denct should be remem­be­red for what they are, not all bunched up as “The Viet­nam War”, because in doing so it is (another) injus­tice to those who were mur­de­red, mai­med and bur­ned, is not a sur­prise. It’s only going to get worse. Our gene­ra­tion is lac­king in some basic know­ledge and with it goes some basic decen­cies that come with kno­wing the past and lear­ning from it.
    jacob´s last blog ..Wyndham Cham­pionship.

  • It’s only right/decent to know of what we speak and write. A little thing, but speaks to human decency. With more and more peo­ple rea­ding sites like that I don’t think there is much hope.

    I have little to say on Calley, I’ve read things about him which make my skin crawl but I can’t verify the accu­racy, nor have I ever been in his shoes. I’d like to think basic mora­lity would ever pre­vent me from doing something like that.
    john´s last blog ..World Cup Soc­cer – 27 Cities Left

  • I didn’t know about the photo, I’ve seen it and knew it wasn’t My Lai but not because I know the cir­cums­tance of My Lai — not in depth. If I had come across the photo and it was rela­ted to My Lai as it was in that article I’d assume a con­nec­tion. So yea, you’re right on that one.
    g´s last blog ..The argu­ment begins.

  • At My Lai, no one who tried to run away sur­vi­ved long enough for the pic­ture to be taken. Not exactly something like goo­gle would know. But Calley? Oh yeah… he knew. And when McVeigh was death penal­tied into the grave, Calley was very thank­ful that he was a misun­ders­tood mass mur­de­rer who was codd­led due to the color of his uni­form.
    sauerkraut´s last blog ..Sad­ness

    • It’s not Goo­gle. it the site that comes p almost first first under a search for “My Lai pho­to­graphs” that does the injus­tice by using a pho­to­graph clearly not from the My Lai massacre.

  • It’s like you said – two books in the same genre, but with dif­fe­rent sto­ries to tell. To say that once you’ve read, you’ve read them all is not giving each of the events the atten­tion or dili­gence they’re due.
    mojo shivers´s last blog ..When You’re Young You Find Ins­pi­ra­tion, In Anyone Who’s Ever Gone, And Ope­ned Up A Clo­sing Door